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| 2009
Artists-in-Residence
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The
Center for Photography at Woodstock is excited to announce our 2009
artists-in-residence. A total of five residencies were granted to seven
artists working in photography and related media. They will
receive residencies of 3 weeks from June through September.
While in residence at CPW, each artist will receive 24/7 access to
professional workspace including CPW's digital and traditional
darkrooms, critical and technical support, housing, travel &
food stipend, and honoraria.
Our thanks to our 2009 Panel for their careful consideration of all
the applications we received. The 2009 panel included; Naomi Beckwith,
Assistant Curator, Studio Museum in Harlem; Tarrah Krajnak, 2008 A-I-R; and
Wilka Roig, 2008 A-I-R.
The 2008 program is made possible in part with support from the New
York State Council on the Arts, a state agency, and the National
Endowment for the Arts, which believes a great nation deserves
great art.
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Tia-Simone Gardner (Philadelphia,
PA)
A mixed- media artist working in methods of appropriation and
installation, Tia-Simone Gardner investigates a personal and
collective experience of Birmingham, Alabama, her place of birth.
She is interested in psychological relationships to locations
and spaces and the idea of home. Gardner
recently completed her MFA from the University of Pennsylvania.
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Lawrence
Getubig (Newton, MA)
Lawrence Getubig is interested in childhood fantasies.
Growing up in the Philippines in the 1970s and 1980s,
Lawrence’s childhood memories are filled with the comic books,
cartoons and television of the Western World.
For his cardboard cutout series, which he will continue work on
while in Woodstock, Lawrence places himself as one of the characters
in this fantasy world. His
person examination has revealed his glorification of the white
American male as a childhood hero.
These narratives investigate the root of confusing these
attitudes towards race beginning in childhood.
www.lawrencegetubig.com
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Daniel Handal (New
York, NY)
Daniel Handal’s photographic work explores subcultures, unique
communities, and those living on the fringes of society.
During his residency in Woodstock, Daniel will focus on his
series which investigates organic farming in the Hudson Valley and the
small exodus of educated 20 and 30-somethings that have left New York
City and the opportunities of traditional work for the rural.
While Daniel is concerned with the changing values of this
generation, and the political, environmental, and health concerns of
the organic farming movement, he is most interested in documenting
this emerging fringe community.
www.danielhandal.com
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Wayne Hodge (New
York, NY)
Wayne
Hodge’s artwork investigates the influence of historical theater on
contemporary visual culture and its role in transforming ideologies of
race. He is particularly
interested in the work of early Black performers from the 1920s and
1930s, like Bert Williams, who were some of the first prominent Black
figures in the cultural mainstream. These
performers have shaped contemporary associations with the Black body.
Sourcing gestures and movements from theater and film
performances of the past, Wayne creates images and short films placing
himself in the role of the Black male.
While
in residency at CPW, Wayne will continue his most recent work, a
series of digital collages based on imagery used in his film
performances, The Original Comedy.
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Donna J. Wan (Menlo
Park, CA)
Donna J. Wan investigates of perceptions
of landscape. Drawing from
the cultural references of the iconic, the monumental, and the
symbolic, her photographs also depict man’s impact upon the land.
During her residency at CPW, she will revisit the landscapes of
artists Thomas Cole, Frederic Church, Asher Durand, and Jasper Francis
Cropsey, including such locations as Catskill Creek, Kaaterskill
Falls, and North-South Lake. Inspired
by a desire to revisit mythologized perceptions of the
landscape, Wan's work raises such questions as, “Does land, sea
or mountain still represent places we can project our hopes, fears,
and desires? Or, have we become alienated from it and only respond
strongly to it when we are shown images of its devastation?
What does landscape now mean for us?”
www.donnajwan.com
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