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Don't have Adobe Acrobat Reader?
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here to download!
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June
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JULY
| August |
September
| October
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*REMEMBER IF A
CLASS YOU WANT TO REGISTER FOR IS FULL - GET ON THE WAIT
LIST - IN THE EVENT A CANCELLATION OCCURS!
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Shanberg
& Slota:
Getting Known / Being Shown
|
Sat-Sun,
July 4-5
|
|
Please note
this class has been moved to a new date - Saturday September 11
& Sunday September 12. To learn more, click
here.
TOP
|
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Ann
Lovett: Photographic
Artist Books
|
Mon-Thurs,
July 5-8
|
|
 If
you are a photographer who works sequentially or have always wanted to
make a book, this workshop is for you. Emphasis will be on artist books,
those that treat the book form as creative medium itself, rather than
portfolio books.
Ann
will lead participants to explore creative ways of using the page space
and developing content sequentially through the pages of a book. We will
spend two days at the Center for Photography in Woodstock designing your
book pages with Adobe Indesign and Photoshop, and digitally printing on
Museo double-sided rag inkjet paper. Then we will move to Women’s
Studio Workshop to finish and bind your book. Coptic and sewn
or post album bindings will be covered. Participants
should plan to do a fair amount of content development and prepare digital
images prior to the workshop. Some experience with Photoshop is required.
No prior experience with Adobe Indesign or binding techniques is
necessary.
ANN
LOVETT
is a photographer, book artist, and a Professor of Art at the State
University of New York at New Paltz. She has been the recipient of
numerous grants, including a New York Foundation for the Arts Artist
Fellowship in Photography and a New York State Council on the Arts
Individual Artists grant in Artists’ Books. Her work has been widely
exhibited, in venues including the Museum of Arts and Design, New York;
the National Museum of Women in the Arts, the New York Public Library,
Friends of Photography, Monique Goldstrom Gallery, New York, and Dorsky
Gallery, New York. Learn more about Ann at www2.newpaltz.edu/~lovetta/
Please
bring: Image files on CD or hard drive, in JPEG or Photoshop format,
at least 300ppi (please check that they are readable on a MAC),
Cork-backed metal ruler, Bone folder (available from art supply store or
TALAS), Special threads or papers to use for book covers, Single edge
razor blades and a holder (available from a hardware store), Inexpensive
double-sided inkjet paper (Epson double-sided matte or Inkpress matte) for
proofing
Class limit: 7
Tuition:
$600 / CPW members: $550
Lab
Fee:
$35
TOP |
|
Dan
Burkholder: The
Art of the High Dynamic Range (HDR) Image
|
Sat-Sun,
July 10-11
|
|
 High
Dynamic Range imaging (HDR) is the most exciting development in
photography since the zoom lens. Dark interiors with bright, sunlit
windows are no longer a challenge. By employing special shooting methods
combined with powerful software tools we can produce final prints with
lush shadow detail and gloriously detailed highlights.
But making a beautiful print from an HDR image is more than bracketing and
using software. In this workshop you’ll learn not only how to shoot and
process your HDR images, but how to precisely control the full range
colors and contrast in your images. Best of all, you’ll learn how to
make prints that sing with detail and tonal vibrancy.
You’ll
be amazed at how easy it is to tackle scenes that you used to walk away
from because you feared the curse of empty black shadows and blown
highlights. Get a Kung Fu grip on HDR shooting and printing!
What
we’ll cover in the workshop:
-
Learn
camera techniques and accessories that make exposing for HDR fast,
foolproof and easy.
-
Discover
easy, recipe-like procedures for capturing high contrast scenes.
-
Delve
into the brave new world of 32-bit images.
-
Learn
the right and wrong ways to process your HDR images.
-
Learn
how to use the parts of Color Management you need to make prints that
look just like your monitor. Banish printing surprises once and for
all!
-
Develop
new selection and masking skills that let you create seductive color
and detail in your HDR images.
DAN
BURKHOLDER
has been teaching digital imaging workshops for 14 years at venues
including The School of the Art Institute, Chicago; The Museum of
Photographic Arts, San Diego; The Royal Photographic Society, Madrid,
Spain; The International Center of Photography, New York; Santa Fe
Workshops; Anderson Ranch and many others. His award-winning book, Making
Digital Negatives for Contact Printing, has become a standard resource
in the fine-art photography community. His new book, The Color of Loss; An Intimate Portrait of New Orleans after Katrina
(2008, University of Texas Press), documents the flooded interiors of
post-Katrina New Orleans and is the first published monograph of HDR
images. Dan’s workshops are famous for their energy, information, and
humor. You can learn more about Dan at www.danburkholder.com
Please
bring:
Your digital SLR camera that is capable of shooting Raw format (CPW has
cameras available for loan). A solid tripod and remote release are also
necessary. Don’t forget memory cards and spare batteries. A wide-angle
lens is strongly recommended. Bring a notebook and lots of enthusiasm. And come well rested too!
Class
limit:
7
Tuition:
$325 / CPW members $295
Lab
Fee: $30
Public
Lecture:
Friday July 9, 8pm
TOP
|
Teen
Photography Camp (for ages 13-17)
|
Mon-Thurs,
July 12-
15
10am - 3pm
|
|
 Are
you excited about making photographs?
Do you want to explore your
talents while engaging with other young
artists? CPW’s Teen Photography Camp provides a unique, creative
and supportive learning environment for young adults ages 13 through 17.
Over the course of four inspiring and motivating days, participants will
learn about the aesthetics and technical capabilities of digital
photography through the direction of photographer and educator Phil
Mansfield.
Based
in CPW’s brand new state-of-the
art
digital lab, the Teen Photography Camp is made up of two
components- the exploration of the art of photography and the development
of technical skills used within a digital
darkroom. By getting behind the lens and photographing in Woodstock,
the students will develop a thorough understanding of photographic
techniques including the qualities of light and shadow, a sense
of motion and an examination of the relationship of subject to the
camera.
In the digital lab they will gain
an understanding of the digital workflow, file organization, inkjet
printing and Adobe Photoshop as a tool for image editing, enhancement,
manipulation and most importantly expressing yourself.
As participants strive for their creative
vision in the digital workflow, they will work closely with Phil and the
CPW staff who will offer insights into
photography as both an artistic expression and a possible career.
The Teen Photo Camp will culminate
with an exhibition/critique of the students work in CPW’s Gallery on the
final evening.
Phil
Mansfield joined the CPW staff as the Digital Lab Manager in the
Spring 2008.
His photography has appeared
in such publications as The
New York Times, Psychology Today and Scholastic Magazine. He is currently
photographing for a children’s cookbook to be published by Bloomsbury.
Phil lives with his wife and two children in West Shokan, NY.
To learn more about Phil visit www.philmansfield.com
Please
bring:
your digital camera and memory card. Note: Digital SLR cameras are
available for loan at CPW.
Class limit: 7
Tuition:
$445
/ CPW members: $395
TOP
|
Karen
Davis
& Mark Orton: Creating
Your Own Portfolio Website
|
Mondays
6-9pm,
July
12, 19, 26,
August 2 & 9
|
|
 This
exciting class is for photographers, artists and craftspeople who want to
get a portfolio on the web with ease - and have time to spare to make more
artwork! These days, having a
presence on the web has become a powerful means for sharing and marketing
your work. In this hands-on workshop you will learn to use free web-based
software to create, maintain, and update your own website using WordPress.
This
application is increasingly being used for websites because of its ease of
use, flexibility of design, independence, cost-savings, and power. Through
in-class exercises and assignments, the instructors will guide you as you
determine your website’s structure, appearance, and build your own site.
You can be on the web by the end of the workshop!
Prerequisites:
Experience using web browsers such as Firefox, Internet Explorer, or
Safari, and word processing programs such as MS Word. Since images are a
key part of your site, experience with basic photo editing and image
sizing is advised using programs such as Photoshop Elements, iPhoto, or
editors supplied by digital camera manufacturers. No knowledge of html is
required.
KAREN
DAVIS
is a photographer, book artist, and teacher. Her work is featured at the
Massachusetts Museum of Contemporary Art, the Houghton Rare Books Library,
Harvard University, the Boston Drawing Project at Carroll and Sons
Gallery, and in corporate and private collections. She is the recipient of
the 2009 Photographers’ Fellowship Award from the Center of Photography
at Woodstock and was an invited exhibitor at the 2009 International
Photography Festival in Lishui, China. Recent solo exhibitions include The
Bromfield Gallery, Boston (2009) and The Griffin Museum of Photography
(2008). Karen earned a BS in
History at Simmons College and a MA in Education at University of Chicago,
as well as a degree in Manufacturing Processes from Wentworth Institute,
MA. Visit www.yesthatkarendavis.com.
MARK
ORTON,
a business coach and consultant, has been involved with web-centric
information technologies for over ten years.
Recently, he has been focusing on web technologies that enable
non-technical people to build and maintain their own web presence. Mark
holds degrees from Lawrence University and the Wentworth Institute of
Technology. He maintains three websites using WordPress:
his business site: www.businesscoach.us.com;
gallery site: www.davisortongallery.com,
and his personal site: www.markorton.com
Please
bring:
list will be sent upon registration.
Class limit: 7
Tuition: $325/ CPW members:
$295
TOP
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Special
Event: Slideluck Potshow
|
Sat,
July 17
|
|
 Deadline
for submissions: June 15
What is a Slideluck Potshow?
Slideluck
Potshow is a non-profit organization devoted to building and strengthening
community around food and art. Slideluck Potshow sponsors
exhibitions of artistic works, each produced in an entertaining slideshow
format, designed to showcase works created by novice, undiscovered, and
established artists. Past participants include:
Elliott Erwitt, Shepard Fairey, Chris Buck, Alec Soth, Martin Schoeller,
Elinor Carucci, Alistair Thain, Edward Burtynsky, Platon, Phil Toledano and
Doug Menuez.
Participants in the slideshow exhibitions are encouraged to take creative
risks, in terms of content and presentation, and to not just show their
portfolios. Each slideshow exhibition has a section with a theme, as
well as non-themed section. Event submissions are collected and
curated by Slideluck Potshow directors and the event hosts in advance of
the slideshow event, undergoing a formal review process to assess quality
and artistic merit of the submissions and to ensure diversity and
consistency of the presentations with the theme of the exhibition. Cutting-edge
multimedia presentations are welcomed and all shows are accompanied by
music, commentary, or other surprises that enhance the viewing experience.
Regardless of a presenter's status in the arts community, none is
allotted more than five minutes for their slideshow presentation at an
event.
At each Slideluck Potshow event, the slideshow exhibition is preceded by a
potluck-style dinner. Attendees bring food and drink, as the evening
begins with two hours of dining on the home-cooked delights of the
participants, while drinking and mingling. All guests are
asked to contribute as the event is entirely dependent on your
participation. Following the potluck, the lights are dimmed, the
crowd is hushed, and a spectacular slideshow commences.
To learn more
click here.
TOP
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Craig
Barber: Palladium
Printing
|
Sat-Sun,
July 17-18
|
|
 Have
you ever been frustrated because your silver or digital prints weren’t
able to deliver all the information your negatives offered? Palladium
printing, a time-honored process and the print method choice of Paul
Strand, Alfred Stieglitz, Edward Steichen, and Frederick Evans, is known
for its rich tonal scale, sensuality, and permanence. Master printer Craig
J. Barber offers you a great opportunity to spend a weekend being
introduced to this extraordinary hand-coated printing technique.
In this hands-on, two day workshop you
will learn how to make palladium prints working from your own pre-existing
black-and-white negatives from traditional film or digitally made (4x5 to
8x10”)! Barber will carefully lead you through a combination of
demonstrations, discussions, and applications. You will learn about paper
selection, contrast and controls, dodging and burning, developer
variations, and chemical safety. This workshop is for photographers who
have a sound foundation in black-and-white printing and want two days of
hands-on instruction to learn a new process with ample printing time and
support from Craig. Come prepared to work and have fun!
CRAIG
J. BARBER
is a photographer who travels and works exclusively with the pinhole
format and focuses of the cultural landscape. During the past 10 years he
has focused his camera on Viet Nam, Havana, Cuba and the Catskill region
of New York State. In each, documenting a culture in rapid transition and
fading from memory. His work has been exhibited throughout the United
States, Europe and Latin America and is represented in several prominent
museum and private collections including the Museum of Fine Arts, Houston;
the Victoria and Albert Museum, London; the Brooklyn Art Museum; the
George Eastman House, Rochester, NY; and Museo Nacional de Bellas Artes,
Buenos Aires, among others. He has received several grants including the
Seattle Arts Commission, the Polaroid Corporation and the New York
Foundation for the Arts. In 2006 Umbrage Editions published his book, Ghosts
in the Landscape: Vietnam Revisited.
To learn more about Craig visit www.craigbarber.com
Please
bring: gloves,
apron, watercolor paper (list of types provided upon registration),
enlarged negatives, foam paint brush, small shot glass for mixing
emulsions.
Class
limit: 10
Tuition:
$325 / CPW members: $295
Lab
fee:$45
TOP
|
Joan
Barker:
Intro
to Digital Photography
|
Sat-Sun
July 17-18
|
|
 Just
getting started? Ready to go beyond snapshots? In this two-day, hands-on
individualized workshop – limited to just seven participants –you will
learn the basic foundations of digital photography and how to make a
successful picture and digital print within a supportive environment.
An energetic and encouraging educator and photographer, Joan Barker will
begin by helping you understand and feel comfortable with your digital
camera. You will see inspiring examples of successful photographs and
learn about the elements that help make a good picture including subject
matter, light, texture, pattern and mood.
Joan will also conduct lessons on aperture, shutter speed, film
types, exposure, depth of field, lighting, white balance and composition.
Lenses and their characteristics, uploading files, image size and
resolution, image adjustments and printing will also be included.
We will explore the technical and aesthetic possibilities of
picture taking while on a photographic fieldtrip. Working with camera in
hand, your view and understanding of the people, places and objects around
you will be enhanced.
What begins this weekend may lead to a new career and/or almost certainly
a life passion! No previous
experience necessary. For those with film background this class will allow
you to better understand the photographic principals relative to both film
& digital.
Students
will have Canon digital SLR cameras available for use. You may also bring
your own camera and camera manual.
JOAN
BARKER is an independent photographer, artist and educator living in
New Paltz, NY.
In her personal photography, Barker pushes limits and employs both
traditional and experimental methods. Her wide breadth of knowledge spans
a variety of camera formats, as well as traditional and alternative
techniques. She completed her MFA in photography at SUNY New Paltz where
she has been teaching for over ten years. Joan is the recipient of a NYFA
Fellowship, The Village Voice
Photography Grant and two CPW Fellowships. Her photographs have been
featured nationally in one-person shows including OK Harris in NYC and
Friends of Photography in San Francisco. Her work has been included in
exhibits at the Photographers’ Gallery in London; Photohozos in Athens;
Carrie Haddad Gallery, Hudson, NY; Cooper Union, NYC; and the Samuel
Dorsky Museum of Art, New Paltz, NY to name a few. Joan’s photographs
are part of numerous collections including The Center for Creative
Photography in Tucson, AZ, the New York Public Library in NYC and the
Bibliotheque Nationale de France. Selected publications include the Chronicle
for Higher Education, Independent on Sunday, London, UK, the New
York Times, Photonews, Hamburg, Germany and Die Tageszeitung, Berlin, Germany. Her website is
www.jbarkerimages.com.
Please
bring: A Digital SLR
camera is required for this workshop- please no point & shoots! (If
you don't have one, CPW has Canon digital SLRs available for loan), photos
you have taken that you would like to share with class or that you have
questions about are welcome, as are images by other photographers that you
admire – from books or magazines.
Class
limit: 7
Tuition:
$255 / CPW members: $225
TOP
|
Phil
Mansfield:
Intro
to Photoshop for Photographers
|
Mondays
& Wednesdays 11am-2pm,
July 19, 21, 26 & 28
|
|
 This
workshop is the essential and exciting first step for anyone interested in
jumping the digital divide and learning the basic digital darkroom
techniques. Through demonstrations and hands-on exercises over the course
of these four sessions held over a period of two weeks, you will be led
step-by-step through the basics of Adobe Photoshop CS4.
Lessons will cover a range of topics including selections, layers, image
modes, tonal and color correction, paths, filters/special effects and file
formats (i.e. JPEG, TIFF). In addition, you will receive an overview on
scanning film negatives & prints, ink jet printing, workflow, and the
importance of color calibration technology.
All students will leave with a sound foundation, ready to move
forward in the digital realm.
PHIL
MANSFIELD
joined the CPW staff as the Digital Lab Manager in the Spring 2008.
His photography has appeared in such publications as The
New York Times, Psychology Today
and Scholastic Magazine.
His photographs were recently featured in Eat
Fresh Foods: Awesome Recipes for Teen Chefs, a children’s cookbook
that was published by Bloomsbury.
To learn more about Phil visit www.philmansfield.com
or check
out his informative blog www.cpwdigitalkitchen.blogspot.com
Please
bring:
a digital storage media device like CD’s, DVD’s, Thumb drives
or an external hard drive
Class
limit: 7
Tuition: $255 / CPW members: $225
(lab fee included)
TOP
|
Ed Kashi: Visual
Storytelling in the Digital Age
|
Fri-Sun,
July 23-25
|
|
 The
digital age is giving documentary photographers and photojournalists
extraordinary new ways to tell stories. With these new tools for creating
and disseminating our work, we can also exercise a greater level of
narrative than ever before. Still, our heart, mind, and gut remain the
most important tools we have and without an understanding of passionate
storytelling, commitment to our subjects and a concern for making a
difference, these new tools are rendered meaningless.
This workshop is for the serious amateur or professional who wants to gain
a better understanding of storytelling, creating visual narrative,
learning what new multi-media tools are available, how most effectively to
utilize them, and how to finish a project and get it out into the world
for others to see.
During these intensive three days, Ed Kashi will show how you can develop
an idea, get funding, create access, determine your goals, and most
importantly disseminate your work to create an impact on the subject,
issue and hopefully society. Given the direction that editorial
photography is moving, there has never been a greater need for the
documentary photographer and photojournalist to be able to put a stamp on
their work. This means establishing a mission and motivation to maintain a
clear vision of what you will do with your work to create an impact. We
will look at photographs, multimedia and short films to consider the range
of opportunities out there at the moment. Students will have a day of
shooting and then review, plus a group critique of each student's
portfolio/essays during the workshop. The students will also spend a day
with Julie Winokur, award winning multimedia producer and documentary
filmmaker reviewing different multi-media editing techniques and tools.
Participants are expected to bring examples of photo essays, multimedia
projects and/or proposals for projects they want to produce. The purpose
of this workshop is to push you to complete projects or help you place
their work on websites and in publications. You will leave this workshop
with a better understanding of how to put a visual narrative together for
both print and online formats, plus be inspired to be concerned visual
storytellers.
ED
KASHI
is a photojournalist,
filmmaker and educator dedicated to documenting the social and political
issues that define our times. A sensitive eye and an intimate relationship
to his subjects are the signatures of his work. Kashi’s complex imagery
has been recognized for its compelling rendering of the human condition.
Kashi’s images have
been published and exhibited worldwide. His innovative approach to
photography and filmmaking produced the Iraqi Kurdistan Flipbook. Using
stills in a moving image format, this creative and thought-provoking form
of visual storytelling has been shown in many film festivals and as part
of a series of exhibitions on the Iraq War at The George Eastman House.
Also, an eight-year personal project completed in 2003, Aging
in America: The Years Ahead,
created a traveling exhibition, an award-winning documentary film, a
website and a book which was named one of the best photo books of 2003 by
American Photo.
Along with numerous awards,
including honors from Pictures of the Year International, World Press
Foundation, Communication Arts and American Photography, Kashi’s
editorial assignments and personal projects have generated six books. In
2008, Curse of the Black Gold: 50 Years of Oil in
the Niger Delta was
published, and June 2009, saw the publication of Kashi’s latest book THREE,
based on a series of triptychs culled from more than 20 years of image
making.
In
2002, Kashi and his wife, writer / filmmaker Julie Winokur, founded
Talking Eyes Media. The non-profit company has produced numerous short
films and multimedia pieces that explore significant social issues. The
first project resulted in a book and traveling exhibition on uninsured
Americans called, Denied: The Crisis of
America’s Uninsured.
A one-hour documentary film pertaining to this crucial health care
challenge is currently in production.
To learn more visit www.edkashi.com.
Please
bring:
a digital camera, a portfolio of no more than 25 images but preferably
also a photo essay or multimedia piece, either in progress or completed
Class
limit: 15
Tuition:
$425 / CPW members: $395
Public
Lecture:
Saturday July 24, 8pm
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Henry
Horenstein: The Unseen Landscape
|
Sat-Sun,
July 31 - August 1
|
|
CPW
is honored to welcome renowned photographer and educator Henry Horenstein
to lead this exciting 2-day workshop! Are
you looking to push your creative boundaries? This
workshop will guide students to explore their artistic potential while
documenting the unseen and unusual landscape. Students will learn to
transcend the stereotypical and explore the nature of a place on a new
level. Traveling in small groups, participants will embark on field trips
throughout Woodstock and its surrounding communities. Henry will accompany
participants on daily excursions, working with you to reveal the essence
of a place through frame, light, metaphors and lyricism. Participants will
learn to use metaphors and symbolism within the frame to reveal their
personal responses to the environments. Exploring the beautiful as well as
the seemingly mundane to the untrained eye, participants will reveal the
well-hidden cultural and historical landscape of upstate New York and its
inhabitants.
On the first day of the workshop, we will investigate the natural and
unnatural landscape of upstate New York State, looking to make photographs
from the unexpected—highways, architecture, natural landscape, and the
people who populate it. Expect a full day of shooting that goes into
the evening. Sunday will be spent looking at pictures. There will be
a portfolio review of past work, as well as a critique of the work created
on Saturday.
In
the process, the class will examine natural interests and personal style,
with an emphasis on lighting, framing, and whatever techniques are
necessary to make pictures. In the unseen landscape, we might find
historical or documentary meaning, or we might work more
abstractly—towards metaphor, lyricism, or symbolism. The final results
may be beautiful, mundane, or even unidentifiable.
HENRY
HORENSTEIN
was born in New Bedford, MA and studied history at the University of
Chicago, before turning to photography. Horenstein earned his BFA and MFA
from Rhode Island School of Design (RISD) in 1971 and 1973 respectively,
studying with Harry Callahan and Aaron Siskind. His over 30 books include
monographs (Animalia, Honky Tonk, Close Relations,
Humans, Creatures, Aquatics, Canine,
and Racing Days) and some of the most widely used instructional texts in
the field (Black & White
Photography, Beyond Basic
Photography, Photography,
and Color Photography). His most recent photographs, Show,
about the worlds of burlesque, fetish, drag, and sideshow, was published
this past year by Pond Press. A professor at Rhode Island School of
Design, Horenstein lives and works in Boston, MA. To learn more about
Henry visit www.horenstein.com.
Please
bring:
favorite camera, film or digital memory card, and a portfolio of 10-20
images.
Class limit: 15
Tuition:
$325 / CPW members: $295
Public
Lecture:
Saturday July 31, 8pm
TOP |
Portia Munson: Scanner
as Camera
|
Sat-Sun,
July 31 - Aug. 1
|
|
 Have
you always wanted to use digital scanners to create artwork? In this
workshop, you will learn how to use the flat-bed scanner as a tool for
expressing your imagination. Portia will share her own techniques and
extensive knowledge of color and composition. Instruction in basic digital
scanning and Adobe Photoshop CS4 (as it pertains to scanning) will be
included. Participants will be encouraged to experiment with the
technology and to explore new ways of working with light, depth and
perspective.
You
will be working directly on an Epson
v700 Photo Scanner Dual flatbed
scanner and 24” iMac computer to create your images. Sessions in
image-making will be followed by group discussion and critiques. Projects
will include collecting found objects to scan, experimenting with
layering, pattern making, still life and collage.
All
skill levels are welcome. Participants will be encouraged to experiment.
Prior experience using a scanner is not necessary.
PORTIA
MUNSON is a visual
artist who works in a variety of media including installation, painting,
photography & sculpture. She holds a BFA from Cooper Union and a MFA
from Rutgers University and has taught at the Yale School of Art, Vassar
College, SUNY Purchase, and Anderson Ranch.
Her solo shows include exhibitions at PPOW Gallery, Yoshii Gallery
and White Columns in NYC among others. Her work has been exhibited
throughout the US, Canada & Europe.
Munson has received fellowships from Yaddo, MacDowell, Skowhegan,
Fine Arts Work Center Provincetown, Art Omi, and others. Her work has been
reviewed and written about in many publication including The
New York Times, Art in America,
Newsweek, Harper’s, USA
Today, The New Yorker, Flash Art
and Artforum. Portia Munson lives in the Catskill Mountains of New York with her husband and their two
children.
To learn more visit www.portiamunson.com.
Please
bring:
objects
to scan, storage device (thumb drive, CDs or external hard drive).
Class
limit:
7
Tuition:
$325 / CPW members: $295
TOP |
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