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| selections by W.M. Hunt, Director of Photography, Ricco | Maresca Gallery | ||||
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Jurying
a photography competition is a breathless ride on an emotional roller
coaster. It is a very intense day. Bear in mind that the job at hand is
looking at and evaluating over 3000 images in a compressed period of time,
defining and refining your critical criteria as you go along. This
year's Photography
Now
competition had many delights. The submissions I reviewed showed that
contemporary photography overwhelmingly consists of very good, well-made
work. I am especially pleased to present work by photographers, which I
believe rose to the top. Jeff
Krolick's color
landscapes are classic, like Eliot Porter's, formal with very subtle shifts
of color. Richard Gilles'
panoramic graffiti covered factory interiors seem impossible, garishly
colored, and alien. Beth Lilly's
black and white studies of trees are described as monsters in her titles
with nature artfully but delicately distorted (by telephone wires). The
portraits I've selected range from Ethan
Levitas' subway
cars, unexpectedly and formally presented like a fashion shoot as if on
seamless paper, to Michelle Sank's
images of adolescents seeming to offer uncanny previews of the subjects as
adults. The
compassion brought to Amalia
Mendez's long
form photo essay is intimate and touching. As heartfelt but more
delightful are the giddy and sweet groupings in Gerald
Förster's work
with a sense of delight that transcends this work's ethnographical origins. The
abstracted dreamlike nature of Ron
Diorio's stylish
studies is subdued and engaging. This is work that lingers in my
memory. Margarida
Correia
creates a special kind of visual story telling which imaginatively and
uniquely combines vernacular, still life, and portrait photography. This is
the work I have selected for the 2005
Director’s Prize. -W.M. Hunt, 2005 |
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Ron Diorio |
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Gerald Förster |
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Richard Gilles |
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Michelle Sank |
Amelia Mendez |
Beth Lilly |
Ethan Levitas |
Jeffrey Krolick |
| To return to 2005 exhibitions, click here | ||||