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PPAN 2021: PRESENTER BIOS
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[av_heading heading=’Clinton Cargill’ tag=’h3′ style=’blockquote modern-quote’ subheading_active=’subheading_below’ show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=’custom-color-heading’ custom_font=’#69c8ca’ icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ link=” link_target=” id=” custom_class=” av_uid=’av-kmo4d3gq’ admin_preview_bg=”]
Session 2, April 28, 2021
“Editing Your Portfolio”
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Clinton Cargill is an Editor at The New York Times with a focus on visual, digital, and nontraditional journalism. Previously, he served as Visuals Director at Vanity Fair, and director of photography for Bloomberg Businessweek, Bloomberg Markets, and Bloomberg Pursuits, where he earned Businessweek’s first-ever National Magazine Award nomination in a photo category in 2015, and AdWeek’s cover of the year in 2017. He was a photo editor at The New York Times Magazine, where he worked from 2004-2014. Cargill’s work has been recognized by American Photography, Pictures of the Year International, Photo District News, The Society of Publication Designers, and Creative Review. He currently serves on the board of directors at the Center of Photography at Woodstock, and in 2017-18 served as president of the Society of Publication Designers.
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[av_heading heading=’Madeleine Cutrona’ tag=’h3′ style=’blockquote modern-quote’ subheading_active=’subheading_below’ show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=’custom-color-heading’ custom_font=’#69c8ca’ icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ link=” link_target=” id=” custom_class=” av_uid=’av-kmo4d3gq’ admin_preview_bg=”]
Session 7, September 29, 2021
“Project Management and Granting”
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Madeleine Cutrona consults with artists about project management, fundraising strategy, and grant proposals at the New York Foundation for the Arts (NYFA), where she is a Senior Program Officer of Fiscal Sponsorship. She brings a decade of experience teaching visual art, helping artists connect with audiences, making art, and fundraising for her own projects. Cutrona is interested in how artists garner resources, build support, and hone skills to execute their creative visions. She studied Anthropology and Studio Art at the University of Rochester and holds an MFA from Maryland Institute College of Art (MICA).
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[av_heading heading=’Kris Graves’ tag=’h3′ style=’blockquote modern-quote’ subheading_active=’subheading_below’ show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=’custom-color-heading’ custom_font=’#69c8ca’ icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ link=” link_target=” id=” custom_class=” template_class=” av_uid=’av-kmuv4063′ sc_version=’1.0′ admin_preview_bg=”]
Session 3, May 26, 2021
“Book Publishing”
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Kris Graves is an artist and publisher based in New York and London. Graves creates artwork that deals with societal problems and aims to use art as a means to inform people about cultural issues. He also works to elevate the representation of people of color in the fine art canon; and to create opportunities for conversation about race, representation, and urban life. Graves creates photographs of landscapes and people to preserve memory. He received his BFA in Visual Arts from S.U.N.Y. Purchase College and has been published and exhibited globally, including the NationalPortrait Gallery in London, England, and Museum of Modern Art, New York; among others. Permanent collections include the Metropolitan Museum of Art, Schomburg Center, Whitney Museum, Guggenheim Museum, Museum of fine Arts, Houston; Brooklyn Museum; and The Wedge Collection, Toronto; amongst others.
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[av_heading heading=’Aline Smithson’ tag=’h3′ style=’blockquote modern-quote’ subheading_active=’subheading_below’ show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=’custom-color-heading’ custom_font=’#69c8ca’ icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ link=” link_target=” id=” custom_class=” template_class=” av_uid=’av-kmuvcoz6′ sc_version=’1.0′ admin_preview_bg=”]
Session 4, June 23, 2021
“Online Curation”
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Aline Smithson is a visual artist, editor, educator, and the Founder and Editor-in-Chief of Lenscratch, a daily journal on photography. She is best known for her conceptual portraiture and a practice that uses humor and pathos to explore the performative potential of photography. In 2012, she received the Rising Star Award through the Griffin Museum of Photography for her contributions to the photographic community and she also received the prestigious Excellence in Teaching Award from CENTER. In 2014 and 2019, Smithson’s work was selected for the Critical Mass Top 50. In 2015, the magenta Foundation published her first significant monograph, Self & Others: Portrait as Autobiography, and in 2016, the Smithsonian Air and Space Museum commissioned Smithson to create a series of portraits for the upcoming races of Our PlanetExhibition. In 2018 and 2019, her work was exhibited in the National Portrait Gallery in London as part of the Taylor Wessing Prize. Kris Graves Projects published her book, LOST II: Los Angeles, and included her work in SOLACE and On Death. Aline has been a juror for a host of organizations and galleries and reviewer and educator at photo festivals around the United States.
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[av_heading heading=’Susan Torruella Leval’ tag=’h3′ style=’blockquote modern-quote’ subheading_active=’subheading_below’ show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=’custom-color-heading’ custom_font=’#69c8ca’ icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ link=” link_target=” id=” custom_class=” template_class=” av_uid=’av-kmuvk65k’ sc_version=’1.0′ admin_preview_bg=”]
Session 5, July 28, 2021
“Curating and Collections”
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Susana Torruella Leval is the director emerita of El Museo del Barrio, New York City’s leading Latino cultural institution. She served as the museum’s director from 1994 to 2002, after four years as its chief curator. Torruella Leval is also a trustee emerita of the Metropolitan Museum of art, the Aperture Foundation, and Dreamyard, as well as a member of the Board of Trustees of The Brooklyn Museum. Torruella Leval serves on CPW’s Advisory Board. She was the lead author of the exhibition catalogue “Woodstock Collects” (2019), which accompanied CPW’s town-wide collaboration with four other organizations
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[av_heading heading=’Mary Virginia Swanson’ tag=’h3′ style=’blockquote modern-quote’ subheading_active=’subheading_below’ show_icon=” icon=’ue800′ font=” size=” av-medium-font-size-title=” av-small-font-size-title=” av-mini-font-size-title=” subheading_size=” av-medium-font-size=” av-small-font-size=” av-mini-font-size=” icon_size=” av-medium-font-size-1=” av-small-font-size-1=” av-mini-font-size-1=” color=’custom-color-heading’ custom_font=’#69c8ca’ icon_color=” margin=” margin_sync=’true’ padding=’10’ icon_padding=’10’ link=” link_target=” id=” custom_class=” template_class=” av_uid=’av-kmuvoziu’ sc_version=’1.0′ admin_preview_bg=”]
Session 8, October 27, 2021
“Best Business Practices”
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Mary Virginia Swanson is an advisor, author, and educator who helps artists find the strength in their work, identify appreciative audiences and present their work in an informed, professional manner. She is a respected mentor who has guided countless photographers through the changes taking place in nearly every aspect of our industry. Swanson has worked in fine art, documentary, photojournalism, and licensing arenas, with vast experience in multiple markets. Swanson co-authored with Darius Himes the acclaimed Publish Your Photography Book: Revised & Updated (Princeton Architectural Press, 2014). She continues to stay current on the growing market for photobooks, reflecting both the relative ease of self-publishing and the rise of the collectible photobook. Her current writing project is an updated guide to understanding and implementing a strategic plan to place photographs into today’s changing marketplace.
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The Professional Practices Artist Network (PPAN) provides artists with the skills, support structure and understanding of the industry to greatly accelerate their careers. The PPAN program was made possible by a project grant from the Phillip and Edith Leonian Foundation. Additional funding was provided by the Joy of Giving Something Foundation and the New York State Council on the Arts.
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